Showing posts with label gang gang dance. Show all posts
Showing posts with label gang gang dance. Show all posts

Sunday, November 14, 2010

"entrance(d)" an installation and evening curated by (knee shy), featuring tres lingerie and bt magnum...


It’s almost time to say thanks here in the states by means of eating alotta food, and talking about the food, and talking to people that one might not talk to that often...like family, if you have one...

But before you soak into some weird-ass food coma, join (knee shy) for a splendid evening of fun,
dancing, and generally getting free, at our upcoming show “entrance(d)

Entrance(d)
, our latest venture, is a one night only event and installation...we can easily refer to it
as a curated party...so let’s.

On the evening of Saturday, November 20th, you can find (knee shy) in full form and dressed to
the dimes at Echo Park’s DIY Gallery...and we won’t be alone...
We’ve joined leagues with spectacular sound purveyors Tres Lingerie and BT Magnum to set the
night up/off right with their premier dance motivations.

The installation and dancing are free, and there is a cash bar, and other art in store...this is

looking like a winner. Come see for yrselves....

Here’s the plan, in further detail:

“entrance(d)”
An interactive installation and evening by Los Angeles based art duo (knee shy), featuring the DJ
talents of the Bay Area’s Tres Lingerie and BT Magnum.

at:
DIY GAllery
1549 W. Sunset Blvd
Los Angeles, CA 90026

Opening Reception:
Saturday, November 20th
8:00pm – 12:00am

(knee shy), the Los Angeles based art duo of J. Shelley Harrison and Jeremy Kennedy, has
a definite penchant for the conceptual, the playful, and the interactive. Since 2006 they have
applied these working guides to subjects as unlikely and varied as atonal music composition and
parallel parking. With the their newest work, an installation titled “Entrance(d)”, the team holds
true to all of the above.

“Entrance(d)” is a one-time event, which rings more like a curated party than a standard art
opening. With a focus on dance parties and epic times, (knee shy)’s multi-faceted installation
aspires to create an atmosphere of open fun on the evening of November 20th at Echo Park’s DIY
Gallery.

The physical installation will sprawl in minimal and maximal pockets throughout the space
provided by DIY Gallery. The set-up will be accessible to the audience, and is built for interaction,

with elements such as photo ops complete with on-site, party soldiering photographers.


To thoroughly carry the theme through the evening, they’ve collaborated with Bay Area boogie/
disco funk DJ duo Tres Lingerie, and L.A.’s BT Magnum (of Beat Electric/Mezzanine fame) to
provide a fitting backdrop of sound.

As with many of their prior projects, the audience is intended to be as much a part of the piece as
any element designed by the artist. (knee shy) will be setting an inclusive stage for the practice
of chance theory, and extends an open invitation for those inclined to present a fashion forward
response to any dance and/or party spirit that calls to them.

With that in mind, it’s up to the crowd to complete the scene, and shape this style eccentric
installation.

For further details, please visit:
http://www.kneeshy.com
http://soundcloud.com/tres-lingerie
http://www.diygallery.info

About (knee shy):

(knee shy) is the chosen moniker for the collaborative artwork of L.A. based artists J. Shelley Harrison and Jeremy
Kennedy. Work as a duo began in early 2006. Kennedy and Harrison chose to work together after examining the
similarities in their own personal working techniques, activities, and especially, their shared concepts and ideas.

The goal of this collaboration has always been to actively combine brainstorms, and use whatever means, or medium,
necessary to actualize them. In other words, they hold the concept as the center of attention. With this in mind, (knee
shy)’s artwork manifests itself in many forms.

Both artists have maintained solo careers, which expand into the musical arena. Harrison performs and records with the
experimental prog-pop band Horns of Happiness (Secretly Canadian Records), while Kennedy has been involved in a
number of groups ranging from punk rock to free jazz. He now pilots the FMSMPRC micro-label.

Whether it be 2-dimensional, performance, sculptural, a themed party, in a gallery, or site specific; this duo always has
a focus of playfulness and/or interaction. (knee shy) is especially interested in public art, art actions, and other means of
connecting art and audience.

To view full C/V, please visit:
http://www.kneeshy.com/bio.html

About Tres Lingerie:


Originally a bi-coastal production and DJ duo fostered over the Internet between NYC and SF natives Johan Churchill
(French house music enthusiast) and Jordan Presnick (former punk rocker), Tres Lingerie recently reunited in the east
bay.

Jordan and Johan both attended Sarah Lawrence College where they participated in all the offerings of a fine liberal arts
education, which included access to a well-stocked electronic music studio. Like teenagers raiding their parents liquor
cabinet, Jordan and Johan became intoxicated with digital and analog synthesis and raided the infinite cool sounds from a
plethora of vintage and new high-end gear.

Now, in their own studio (Unrbanoculars) in Berkeley, the boys are busy tapping into those funky, fresh, old, and timeless
disco and soul sounds pioneered during the late 70's and 80's.

For more info, please visit:
http://soundcloud.com/tres-lingerie

About BT Magnum:


(from San Francisco Weekly)

The man behind the excellent events curated at (San Francisco’s) (arguably) best dance venue,
Mezzanine, and the Internet's go-to blog for old-school dance jams is one Brian Tarney. Party goers and
vintage-tune seekers may know him better as BT Magnum, Tarney's alter-ego, who runs about S.F. DJing
some of the best classic house, disco, and boogie parties, and writes regularly for Beat Electric. BT is a
veritable vault of knowledge when it comes to the smooth grooves and stellar tracks of the '80s, but he also
continues to keep a finger on the pulse of contemporary music that's inspired by those same sounds.

For more info, please visit:
http://beatelectric.blogspot.com/
http://www.myspace.com/btmagnum

Thursday, April 15, 2010

"keys to an eighty-eighth" - a new group project / curated by j. shelley harrison

“Keys to an Eighty-Eighth”
*an 88 person group art project curated by – j. shelley harrison
2010

About this project:

With “Keys to an Eighty-Eighth”, artist j. shelley harrison has created a very encompassing project based on a straightforward and communicable concept, the type of she is often noted for. After destroying a piano for a project by (knee shy) in early 2010, harrison was felt compelled to creatively implement the leftover parts. She was specifically drawn to the piano’s keys, and decided to distribute all 88 of them amongst 88 selected creative individuals.

The guidelines provided by harrison were extremely loose. Each individual has been instructed to prepared their key in some creative fashion, and returned the product to Harrison upon it’s completion. Per instruction, all participants maintain the control to do basically whatever they want involving the key given to them. Thanks to this liberalness, the body of work as a whole is already showing signs of incredible depth, and creative elements from one extreme to the next.

The ongoing variety of the pieces of can also be attributed to the scope of individuals selected by harrison to be part of the project. For participants, she selected creatives of all kinds, from all over the map. Visual artists, designers, writers, children, musicians, strangers, friends, family, insiders and outsiders... you name it. By inviting such a diverse crowd, she has captured a full spectrum of backgrounds and approaches, from sculptural to audio, photography to poetry.

Keys are still steadily arriving, and the end date from the project is still in the future. After all the keyed-up pieces make their return, the entire collection will be shown in a gallery exhibition. Where and when are still up in the air, and there is also the possibility of showings in multiple cities.