Showing posts with label hardcore. Show all posts
Showing posts with label hardcore. Show all posts

Saturday, December 25, 2010

a ground-ups x-mas...


Mary Christmas told me to tell you...

Ground-Ups began in like 1999, or something like that. Shane and I were really into Ruins around that time, but definitely not up to that kinda like trap-kit blitz or stamina. To make up for it, we like put that influence together with our own art drives, and decided to like both play the drums.

We like talked the whole thing up to Chris Clavin and soon he found a home in g-ups via one of his lost passions, the trumpet (and/or) cornet.
Shawn and I love the trumpet (and/or) cornet, and welcomed the new movement of the ground-up. I don’t know...I think Chris just really liked playing trumpet (and/or) cornet.
The initial material really related to life, if you were on a boat, or worked in a hotel, like Shane and I did at the time.

We had some other stuff, like a floor tom with some trash in it, and some spray paint, and Chris had a bunch of stuff like a dictionary, and we spray-painted that and the cape. We record our first show on a video camera, and that appears in these recordings. Sounds like bad, but good bad too.

The second round includes Shan Egg and I with Leah Yeppi highlighting the vocals, playing banjo, banging keys and effex, and engineering the shit in a strange way. Shane and I came up with “GT Frame You Fucking Suck” on the way to record, when we saw some guy walking down the street either riding or carrying a GT mountain bike frame. One of said, “GT frame you fucking suck.” He heard us. We made it into a tape called: “OH! It Bites Me!”

Part 3 is some live recording a few years later when it was just Eric Weddle and I for the large part, and Shim on and off. Er’s horn action (trumpet and sax) is blasted well thru a cut down ancient quad fender amp.

E.W. and I moved on to record studio type ground sounds with Nhoj Daswon at White Ark. Things, like purpose, never really materialized, so these recordings have since sat, been fondled, and end up here in whatever form available from thy hard drive. There is also a few live tracks recorded by someone in PG Six. I like the way those sound.

I wanted to put together a disc or something and title it “Knights of the Ground Table”. But didn’t. The actual recordings sound great rad, but I went in over the course of time and mixed them around and screwed up a lot of the goodness. And that’s fine.

Ground-ups TNG featured Justin Clifford Rhody on trumpet and Clare Hubbard on saxophone. These could of been, and possibly were the best of times...I think I was drinking too much though. Here’s a few tunes from that, and I know there is more out there, but...

These appear via friends and relatives records as a cassingle, split with Crotch Council.
Shane was back on these tunes, at least some of them, and sometimes I can’t tell if it’s both or not. Regardless, it’s def jcr and Clare.

We’re still doing it...whoever we are.
-jk 

Wednesday, May 12, 2010

Aliens of the Devil- Band= Yes / Sound= No


(knee shy), together with the help of imaginary and non-imaginary friends, bring you "aliens of the devil" (herein referred to as AotD)...a band that doesn't make sound. this project seems to be creating a good deal of questions, along with confusion. so, allow me a moment to break this down as simply as possible...
FAQs:
1. Q-Is AotD a band?
A-Yes.

2. Q-Does AotD make any sound?
A-No.


3. Q-Does AotD have any songs?
A-Yes.

4. Q-What the fuck? How does that work?
A-Our songs and song ideas are actualized through graphic design images and composites, not sound.

5. Q-That sounds fun...but how can you call yourselves a "real band"?
A-Check it, pal! We do everything a "real band" does, only without sound. We write songs. We record these songs in the form of images. These images are compiled into collections, and each collection is an album. We play shows by exhibiting these images. AotD is a fully functioning band with the ability to have fans, merchandise, go on tour, be reviewed by pitchfork, etc.

6. Q-Is Tiger Woods really in the band?

A-Yes, but not the one you are thinking of.


here's the long form version:
During the waning months of 2009, (knee shy), the moniker for collaborative work by artists j. shelley harrison and jeremy kennedy, created a new project titled: “Aliens of the Devil”.

The Aliens of the Devil project is an amalgamous art/sound entity, essentially a band, but with a conceptual twist to it’s function. Steeped in the more absurd side of both of our respective artistic aesthetics, AotD can possibly be described as: alter-ego art project in the guise of a thrash-metal/hardcore band influenced by reggae with a strong interest in chinese folklore, turn experimental noise duo hiding behind graphic design.

Currently, Aliens of the Devil have yet to write, perform, or record any sounds, and it is quite possible that we never will (directly). In place of this seemingly essential element of being a musical entity, we have replaced songs with 2-dimensional graphic designs. These composite images are meant to serve as a visual representation of what the songs would sound like, or how the sound is visually conceptualized.

In continuation of this attitude, we are planning to complete the picture of being a band. This will involve developing our identity and career in a way that emulates the normal process and marketing of a group or artist which traditionally makes sound. Aliens of the Devil will have albums (collections), songs (pieces), and shows (exhibitions), and so on. Here is an example:

We are currently in the process of recording (designing) the debut AotD full length record (collection): “Poison in the Blade”. Each track on the new record is represented by a graphic design image, complete with ‘song title’, ‘track time’, etc. These pieces are actualized as archival ink-jet prints on 12 inch LP record sleeves. The release party for “Poison in the Blade” will be an exhibition of all these pieces, which represent each track on the album. And, just as the sound has been interpreted as images, the exhibition is interpreted as a performance, wherein AotD will be ‘performing’ every song on the new record by displaying the corresponding images to an audience.


So, if you like the idea of audio-lizing....check Aliens of the Devil. It's like being scratched by the long, black fingernails of jiang-shi while standing front row at a John Holt concert wearing a ripped up Corrosion of Conformity t-shirt!

myspace.com/aliensofthedevil
facebook: aliens of the devil